Quick Pro Tip: How to Stop Making the Same Mistake Every Year

As marching band festival and competition seasons wrap up, and the show choir season starts to get rolling, Alan and Steve share a powerful strategy for turning this year’s struggles into next year’s strengths. Learn how to capture the “we can’t fix it now” feedback, avoid repeating programming mistakes, and set yourself—and your future ensembles—up … Read more

The Adaptive Music Teacher with Elisa Janson Jones: Navigating Technology, Advocacy and Growth

In this episode, Alan and Steve talk with music education expert Elisa Janson Jones, who offers a roadmap for K-12 music teachers seeking to thrive in a rapidly changing educational landscape. Drawing from her extensive experience as an educator, podcast host, and researcher, Elisa provides actionable strategies for integrating emerging technologies, advocating for program resources, and personal professional growth.  … Read more

Quick Pro Tip: Clarifying Concert Streaming Rules (Part 2)

Last week, we discussed the legalities of sharing concert recordings, and today we’re back with important clarifications! In this follow-up episode, Alan and Steve break down a key question from listeners: Do schools need a license to live-stream a concert while it’s happening? The answer is nuanced, but the good news is there are legal, … Read more

Recording and Streaming: The Latest on What’s Legal with Brenna Horn-Cronin

Join Alan and Steve with Brenna Horn-Cronin, who demystifies the complex world of music licensing for K-12 schools, offering practical insights on how educators can legally stream recordings and archive their performances while respecting copyright laws. Links: https://schoolmusiclicense.com https://schoolmusiclicense.com/news-and-announcements/ About Brenna Horn-Cronin Brenna C. Horn-Cronin serves as Executive General Manager of School Music License. Combining … Read more

Quick Pro Tip: Keep Your Feedback Musical for Everyone

Too often, some of our students – think percussionists and color guard -get comments only about equipment, logistics, or behavior—while wind and string players –  and singers –  hear about tone, balance, and musicianship. Alan and Steve challenge directors to rethink this dynamic and offer musical feedback to every section—especially the ones we tend to overlook.