Steve and Alan talk with professor, author, composer, and choral director Marques Garrett about the importance of diversifying choral programming and elevating non-idiomatic works. Garrett shares fascinating personal experiences learning about the rich musical heritage within historically black colleges and universities (HBCUs), where choirs have long championed non-idiomatic compositions by Black artists.
Garrett discusses the challenges of broadening repertoire choices, the historical context behind the under-representation of Black composers, and the impact of his efforts to increase awareness and performance of this vital body of choral music. The conversation explores Garrett’s programming choices, the nuances of cultural appropriation, and the need for inclusive representation in music education. With a focus on practical strategies and the power of community, this episode offers invaluable insights for music educators and anyone passionate about fostering a more diverse musical landscape.
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Marques L. A. Garrett
A Virginia native, Marques L. A. Garrett is Associate Professor of Choral Studies at the University of North Texas. He earned his PhD in Music Education (Choral Conducting) at Florida State University.
An active conductor, Dr. Garrett is the founding conductor of the Nebraska Festival Singers. He has served as a guest conductor or clinician with several school, church, community, and festival/honor choirs throughout the country. In addition to his conducting classes at UNT, he leads conducting workshops at other universities and conferences.
A versatile voice that performs both as a baritone and countertenor, Dr. Garrett has sung with several community, church, and university groups as both a chorister and soloist. He was the countertenor soloist in the European premiere of Dan Forrest’s Jubilate Deo in Limerick, Ireland. Currently, he sings with the Festival Singers of Florida and Jason Max Ferdinand Singers.
Dr. Garrett is an avid composer of choral and solo-vocal music whose compositions have been performed to acclaim by high school all-state, collegiate, and professional choirs including Seraphic Fire and the Oakwood University Aeolians. His compositions are available through several publishers. (Updated October 15, 2024).